I studied at the University of the Arts London and spent a few years working in advertising before feeling drawn toward a slower, more hands-on way of creating.

That path led me to the heart of Mexico City's Centro Histórico, where I returned to school to study traditional metalworking, learning to work with gold and silver through lost-wax casting.

I'm drawn to volcanic landscapes, weathered textures, organic forms, and the quiet beauty of things shaped by time.

Every piece is handcrafted by me in my workshop.

This work is my way of slowing down. It allows me to create at a different pace, to stay connected to my surroundings, and to make objects with intention—pieces designed to be worn, lived in, and kept for years.

— Juliette

About the lost-wax process

Each piece begins as a hand-carved wax model.

Once the design is complete, the wax is attached to a casting tree and encased in a plaster mould. The mould is heated in a kiln, where the wax melts away, leaving behind a cavity in its exact shape. This is the lost wax casting process.

Molten silver is then poured into the mould, filling every detail left by the original wax. Once the metal has cooled, the plaster is carefully broken away to reveal the raw silver casting. Because the mould is destroyed during this process, each casting is unique to that pour.

The piece is then cut from the casting tree, filed, sanded, and refined by hand. Depending on the design, additional elements may be soldered, textured, or shaped before the final polishing and finishing.

From wax to silver, every stage is completed with care, allowing the character of the handmade process to remain visible in the finished piece.